Nocturnal Animals (2016) cast and crew credits, including actors, actresses, directors, writers and more. LATEST HEADLINES 'Accountant' Tops Box Office, 'Inferno' Opens Overseas & 'Pets' Enters Top 50 4 hours ago; Robbie Amell And Italia Ricci Are Married! Celebrity Amy Adams and Jake Gyllenhaal Glam Up the Venice Film Festival at Nocturnal Animals Premiere. Posted on September 2, 2016 at 12. Watch Sausage Party full movie online free, Sausage Party online free streaming, you can watch movie Sausage Party 2016 here online free streaming. BFI London Film Festival 2. La La Land Damien Chazelle follows up his stunning debut, Whiplash, with an out- and- out musical, a hymn to Hollywood and stardom. Ryan Gosling at his most lovable plays Sebastian, a jazz purist, hoping to open his own club; Emma Stone is aspirant actress Mia, for now a barista. They get together, they hold each other to their dreams; they sing, they dance. The stunning opening sequence of mass happiness breaking out on a jammed freeway justifies this film alone — the rest is pure jam. Amy Adams plays a linguistics professor recruited, with scientist Jeremy Renner, to make contact with giant heptapod aliens, who have arrived in colossal “shells” hovering over 1. Michael Sheen is a shoo- in for Best Supporting Actor as a chain- smoking, dying detective. Yes, in Cannes favourite Toni Erdmann by thirtysomething writer- director Maren Ade, about frustrated businesswoman Ines (Sandra H. Brilliantly original and ultimately heartbreaking. David Sexton. 5/2. Elle Film of the year for me, so far: the wondrous Isabelle Huppert, the daughter of a mass- murderer, now director of her own video- game company, is brutally raped by a masked man in her own home but she has such extraordinary, cynical self- possession that she takes command of the situation, in this adaptation of Philippe Djian’s pulp novel Oh. The festival’s big challenge to every liberal assumption. It’s the last White House Correspondents Dinner of the Obama administration, and you can expect the usual fanfare: Red carpet, big stars, dinner and.Seretse (David Oyelowo) and Ruth (Rosamund Pike) fell head- over- heels in post- war London but their inter- racial marriage caused controversy. This true story might be the greatest love story of 2. Britain, and it’s finally reaching the screen. Wheatley is already firmly established as Britain’s most exciting filmmaking talent and with this Closing Night Gala, co- starring LFF favourite Brie Larson, it just gets better. Ellen E Jones. 8/2. The Birth of a Nation D W Griffith’s 1. The Birth of a Nation, was a seminal, albeit deeply racist, milestone in Hollywood history. So will Nate Parker’s bold re- appropriation of the title mark a new era in US cinema? Could the white saviour trope finally be jettisoned? The writer- director also stars as Nat Turner, an African American slave who led an uprising in 1. Virginia. Ellen E Jones. American Honey Fish Tank director Andrea Arnold elicits another breathtakingly naturalistic performance from a young unknown in her first US- set feature, a fizzing portrait of American youth. Sascha Lane debuts as the presciently named Star, newest recruit to a band of travelling teenage entrepreneurs led by charismatic Jake (Shia La. Beouf) and haughty Krystal (Riley Keough). Teyonah Parris (Mad Men, Dear White People) is luminous as the gang leader’s girlfriend who initiates this unusual anti- violence protest at the suggestion of her neighbour (Angela Bassett). Long- time Lee collaborator Samuel L Jackson is a dapperly dressed chorus. Ellen E Jones. 11/2. Prevenge Ruth listens to her inner child — a bit of a problem since she’s convinced her unborn baby wants her to kill people. Alice Lowe is the director/writer and star of this nihilistic but vital comedy that will make fans of Ben Wheatley’s Sightseers happy. Lowe, of course. co- wrote Sightseers and played its stroppy lead. Being completely in charge suits her. She hasn’t given birth to a monster; Prevenge is a beaut. Casey Affleck is traumatised janitor Lee forced back to his home- bitter- home when he becomes the legal guardian of his dead brother’s son (Lucas Hedges). There are no weak links in the cast but Michelle Williams is especially good as Lee’s ex- wife. Both she and Affleck deserve Oscars. After accidentally killing his alcoholic mum, our nine- year- old hero, Icare, ends up in a group home. Heavy topics (including paedophilia and suicide) are covered but you will be intrigued rather than horrified. The animation is delightful, though, and with his blue hair, Icare has something of Marge Simpson’s sweetness. Guest has a way with words such as “defecation”. No one’s seen the finished film but thanks to the trailer I’m laughing already. Charlotte O’Sullivan. Certain Women Kelly Reichardt’s quiet, understated drama stars Michelle Williams, Laura Dern, Kristen Stewart and Lily Gladstone (not as well known as the others but just as talented). They play inhabitants of a tiny town in Montana, all struggling to get what they want without hurting those around them. Reichardt’s Old Joy was one of the most moving films of the 2. Certain Women has the same pull. Charlotte O’Sullivan. Creepy Good news for fans of 2. J- horror classic Pulse: its director Kiyoshi Kurosawa is back with this perfectly titled movie about the evil that lurks (literally) beneath the surface of an ordinary Japanese suburb. What makes it great is its matter- of- factness about the horrors revealed. Creepy indeed. Nick Roddick. The Informer The Archive Gala is one of the. LFF’s hidden gems and this 1. Based on Liam O’Flaherty’s novel, it is by turns brooding, dramatic and tragic. Shot in the dying days of the silent era. German expressionism and American. Nick Roddick. 18/2. Wild As weird a film as any made in the past 1. Wild treats an extreme event — a German woman who brings a wolf back to her suburban apartment — in a strikingly off- hand manner. As the woman’s behaviour goes further and further off the rails, any hint of allegory is firmly repressed. Nick Roddick. 19/2. Safari A film festival isn’t worth its salt if it doesn’t confront its audience, and few directors are more confrontational than Ulrich Seidl. After his Paradise trilogy, it’s his fellow Austrians’ fondness for slaughtering big game that is the focus here. And you can count on Seidl not to look away at the nasty bits. After the epic canvas of Sunset Song comes this exquisite exercise in miniature, about the life of American poet Emily Dickinson.
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